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REVIEWS -JUST ONE EVIL ACT
Publisher’s Weekly
"This riveting tale of love, passion, and betrayal, the
18th Inspector Lynley novel from bestseller George (after 2012’s
Believing the Lie), spotlights Det. Sgt. Barbara Havers. Taymullah
Azhar, a science professor who’s a friend and neighbor of Havers in
North London , is devastated to come home one day and discover that
his nine-year-old daughter, Hadiyyah, and most of her possessions
are gone. Hadiyyah’s mother, Angelina Upman, to whom Azhar was never
married, has decamped to Italy with the girl. A grateful Azhar
accepts Havers’s offer to act as a private detective, though her
superiors resist her request for a leave of absence. Months later,
when kidnappers take Hadiyyah from Angelina in an Italian
marketplace, Lynley travels to Lucca , Tuscany , to look into the
matter. Havers later goes AWOL to Lucca , where she seizes the
initiative in the case and risks her career to persuade Scotland
Yard to get involved. Fully realized Italian characters, from a
lover whose face cannot hide his emotions to the charming Chief
Insp. Salvatore Lo Bianco, add to the rich ensemble cast. Series
fans will enjoy following Lynley and Havers on their first
investigation outside the U.K. , while newcomers will be just as
enthralled.
Library Journal
The newest installment in George's Inspector Lynley series picks up
directly where Believing the Lie left off. Taymullah Azhar,
Sgt. Barbara Havers's friend and neighbor, has come home to an empty
house. His girlfriend, Angelina, has left with their daughter,
Hadiyyah, leaving no trace. Azhar has no official parental rights to
Haddiyah, as he and Angelina never married. Barbara helps Azhar hire
a private investigator to try to locate Angelina and Hadiyyah.
Several months later, Angelina returns. She and Hadiyyah have been
living in Lucca , Italy , with Angelina's Italian lover. Now
Angelina claims that Hadiyyah has been kidnapped and that Azhar is
behind it. In a first for George, much of the action takes place in
Tuscany , with Barbara's partner, Insp. Thomas Lynley, acting as a
liaison officer for Angelina and Azhar during the search for their
daughter. Barbara plays the starring role in the other half of the
narrative, and the reader is caught up in just how quickly she goes
off the rails, professionally and ethically, in the name of
friendship.
VERDICT: This is a must for fans of this series. The twists and
turns are vintage George and do not disappoint.
Lifestyle Magazine
One of Britain’s best-loved detectives,
Inspector Lynley, returns in the latest intriguing mystery by
international best-selling author, Elizabeth George. An exceptional
book that you will find hard to put down due to its gripping
storyline. A definite must read for fans of the novels, which have
been adapted for BBC television, attracting 13 million viewers as
The Inspector Lynley Mysteries.
When Hadiyyah Upman disappears from London wit her mother, Detective
Sergeant Barbara Havers is as devastated as the girl’s father. Five
months later, Hadiyyah is kidnapped form an open air market in
Lucca, triggering a high-profile investigation. DI Thomas Lynley is
assigned to handling a situation made delicate by racial issues,
language difficulties, and the determination of an Italian
magistrate to arrest and convict someone – anyone – for the crime.
Wall Street Journal
Elizabeth George combines an old-school aptitude for twist-riddled
plots with ethical agonizing and sardonic humor.
'How times had changed in London," thinks police sergeant Barbara
Havers, as the at-first cheerful sight of a Muslim cleric leading a
pack of young schoolboys down the street then prompts ominous
associations and anxious fears. "No one looked innocent any longer."
In truth, the world has long seemed to hold more misery than
happiness for Sgt. Havers, a single, 30-something woman with few
friends, a tobacco addiction and a fashion sense exemplified by
Flintstones T-shirts and cupcake socks.
The sergeant's solipsistic, rule-bending behavior escalates in "Just
One Evil Act," among the most demanding and satisfying of the many
detective novels by Elizabeth George featuring Havers and her New
Scotland Yard partner, Inspector Thomas Lynley. Even the
compassionate Lynley comes to doubt not only Havers's fitness as a
police officer but her sanity.
It took a while for Havers and Lynley to achieve their rapport. In
the duo's debut, "A Great Deliverance" (1988), Havers's first
impression of highborn Lynley is far from charitable: "He was a
miraculous combination of every single thing that she thoroughly
despised. . . . A public school voice, and a bloody family tree that
had its roots somewhere just this side of the Battle of Hastings."
Over this long series of novels, fate deals Lynley a series of
blows, as if to balance the scales against the good fortune to which
he was born. His best friend is crippled by a car accident in which
Lynley was the driver. In "A Suitable Vengeance" (1991), Lynley's
drug-taking brother is accused of murder. After a long courtship,
Lynley and his charming fiancée marry at the conclusion of "In the
Presence of the Enemy" (1996), but we learn in later books that
their story is far from over.
The author combines an old-school aptitude for twist-riddled plots
with modern psychological insights, ethical agonizing, realistic
violence and sardonic humor. ("The man himself was nothing to look
at and less to talk about . . . ," Havers notes of a witness,
"except for his dandruff, which was extraordinary and copious. One
could have cross-country skied on his shoulders.")
Ms. George writes in a prose unafraid of detailed descriptions and
elaborate scene settings. ("The new growth of spring was thick and
lush as they climbed into the mountains, and the wildflowers
splashed yellow, violet, and red in swathes of colour along verges
and into the trees.") Her increasingly lengthy books may seem to
take a long time declaring their intentions—but by then the reader
is caught and held by Ms. George's carefully woven story-strands.
The author explores various dysfunctional family groups, often in
specialized, semi-enclosed environments: local theater ("Payment in
Blood," 1989); an independent boys' school ("Well-Schooled in
Murder," 1990); championship cricket ("Playing for the Ashes,"
1995); the worlds of sleazy newspapers and politics ("In the
Presence of the Enemy," 1996); a racially mixed seaside town in
Essex ("Deception on His Mind," 1997). And of course the police too
are a self-contained, semi-dysfunctional family.
What drives Havers to the brink, and maybe beyond, in "Just One Evil
Act" is her desperate efforts to help the two best friends she has
made: a Pakistani microbiologist and his 9-year-old daughter,
neighbors she loves with the fervor of a blood relation. When the
little girl is abducted by her mother, Havers cuts official corners
in attempting to trace the youngster's whereabouts, becoming
entangled with dubious private detectives and computer hackers. When
the Pakistani girl is kidnapped again, in Italy, Havers brings her
problematic ways and mounting desperation to that
country—accompanied by a scandal-mongering faux-cowboy journalist
who explains: "Facts are interesting, but innuendo is what gives a
story its charm. . . . Circumstantial rubbish is our bread and
butter." In addition to the Yard's intrigue-ridden doings, this new
work shows the more dangerous (if amusing) deeds of an Italian
police squad where despotic careerists defend their turf not just
with face-saving memos but with fists and feet.
Havers's absence (without leave) brings home to Lynley how important
her partnership is to him: "When she was on . . . she gave the job
her life's blood. She was fearless when it came to challenging an
opinion with which she didn't agree. . . . She didn't pull a
forelock in anyone's presence. That was the sort of officer one
wanted on one's team."
The Seattle Times
We get hooked on a mystery series
for the comfort of the familiar, for time spent with characters
we’ve come to know and love, for the reassuring feeling that our
detective-hero will somehow make things turn out right. And we want
the characters to grow and change, but not too much. (For those who,
like me, are eagerly following Sue Grafton’s journey through the
alphabet: nobody out there is hoping Kinsey moves out of Henry’s
rental apartment and buys her own place, right?)
So fans should be reassured to hear that Elizabeth George’s “Just
One Evil Act,” (Dutton, 723 pp., $29.95) the 18th novel in the
Whidbey Island author’s excellent Inspector Lynley series, keeps
things mostly to the status quo. After dramatically killing off a
main character in “With No One as Witness,” George has perhaps
rightly guessed that readers can only handle so much change, and so
“Just One Evil Act” unfolds along familiar lines.
Little Hadiyyah Upman, daughter of Detective Sergeant Barbara
Havers’ neighbor and friend Taymullah Azhar, has been kidnapped (for
the second time in her eventful life, poor kid; she was previously
snatched in “Deception on His Mind”). Detective Inspector Lynley
counsels prudence; Havers, in her usual fashion, plunges headlong
into the case with little regard for rules and protocol; and a
complex tale spins out, rushing us from London to Italy and back
again.
George, an American who lives in the Pacific Northwest, has an
uncanny ear for dialogue (and Britishisms); you hear the characters
in your head long after putting the book down. And the voice you
hear most strongly here is one of her most beloved characters:
Havers, the disheveled, lonely sergeant whose inclination to let her
heart rule her head takes her to dangerous places. Those of us
who’ve devoured the Lynley mysteries know that she’s long been in
love with Azhar (without the books ever really having to say it) and
adores Hadiyyah — so this case is just the right one for her to run
off the rails.
And she does, gloriously, in her collection of high-top trainers and
ratty T-shirts (my favorite slogan “No Toads Need to Pucker Up”),
trademark smart-ass repartee, habitual nutritional chaos, and
utterly endearing loyalty. Might she cross paths again some day with
the charming Italian Chief Inspector Salvatore Lo Bianco, who thinks
she has an “extraordinarily lovely smile?” Let’s hope. Longtime
readers may wonder if Havers will ever be allowed to learn from her
mistakes (really, does she think a game of tit-for-tat with a sleazy
tabloid reporter could possibly turn out well?), but she’s, as
always, a delight to spend time with.
Meanwhile, the noble Lynley (we’re reminded that he dresses “in an
elegantly rumpled and casual manner that suggested mounds of money
and self-confidence”) continues to slowly heal from his wife’s
death; Acting Detective Superintendent Isabelle Ardery remains
prickly and yet intriguing; Detective Sergeant Winston Nkata makes a
tantalizingly brief appearance, as if just waving hello to readers;
a host of other characters in London and Italy join the narrative;
and mysterious British foods, such as a “bacon butty” (guess who
eats it?), are consumed. It’s a pleasure no less enjoyable for being
familiar; you finish the book longing for the next installment to
arrive swiftly, so as to hear Lynley and Havers’ voices again.
THE INDEPENDENT - LONDON
For three decades, the American writer Elizabeth George has
demonstrated that she is the ultimate Anglophile, setting her novels
in the UK. But she has shown her surprise at the power of the
English tabloids and noted that, when she presents their behaviour
in outrageous terms, the real-life equivalents will always outdo her
fictional versions. The red-tops are central to this latest book,
which is George's War and Peace, at least in terms of length (an
imposing 700-odd pages). But this is no mere indulgence, as the
author has broadened her range in terms of setting (a vividly drawn
Italy) and introduced an intriguing new character, the saturnine
Inspector Salvatore Lo Bianco. It's clear, too, that George finds
the Italian police and judicial system bizarre. Dropping Inspector
Thomas Lynley into this milieu is a clever touch.
While Lynley struggles to deal with the death of his wife, Helen, DS
Barbara Havers moves centre stage. The daughter of a close friend
and neighbour of Barbara's disappears in London, in the company of
her mother. Hadiyyah, the young girl, reappears five months later
and is kidnapped from an open-air market in Lucca.
Scotland Yard is reluctant to get involved until Barbara realises
that by finessing the most unscrupulous of the British tabloids she
can bring about an investigation. The Amanda Knox trial is clearly
part of the narrative DNA here and George has spoken of the frenzy
with which the British tabloids settled on Knox as a villain: the
"Foxy Knoxy" syndrome. But it is not Barbara who is sent to Italy;
rather, her superior officer DI Lynley is obliged to cope with
language problems and racial issues.
The new elements here have had an energising effect on George's
work, which had recently lost some of its original freshness. Her
treatment of the Mediterranean settings (along with a raft of
intriguing new characters) shows a new exuberance. The prodigious
sprawl of the book will perhaps rule it out for any casual readers,
but George aficionados will consider that Just One Evil Act
possesses (as Schumann said of Schubert's Great C Major symphony)
"heavenly length".
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